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The Lydian Chromatic Concept of Tonal Organization George Russell's book,, first published in 1953, was the first theoretical contribution to come from jazz, and was responsible for introducing modal improvisation which resulted in the seminal recording of Miles Davis' 'Kind of Blue.' Since it's publication, there have been scores of books on the market which have 'borrowed' bits of the Concept's information, but there is only one original. '[The Concept] was the great path-breaker for Miles Davis and John Coltrane's modality.' - Joachim Berendt, The Jazz Book. GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT OF TONAL ORGANIZATION, first described in a self-published pamphlet in 1953, marks a radical expansion of the harmonic language for both composition and analysis and also marks an abandonment of the major-minor system which dominated Western music for over 350 years. Fonts 2015. Radical as it may be, the theory is more than one person's eccentricity, having considerable precedent in the work of Ravel, Scriabin, Debussy and in some of the learned works of Bach.

The word 'Lydian' is here derived from one of the classical Greek scale modes. Russell's root scale follows the natural overtone series and runs from C to C with F sharp, rather than the customary F natural of the major scale.